197-2019 MishMash

197-2019_МишМашExhibition and a theory describing the anti-ideological notion #hideooism.
#hideoism is the situation, the concentrate of the impacts that happened directly in this place, at this time. Beauty here is not the dictatorship of the canon, but an unexpected discovery.
This is an observable score of virtuosic dance, performed by Intentional and Accidental. Chronology of the occurrence of unforeseen obstacles and decision-making. A true hideoist ponders each situation directly and individually at each moment of time, he does not create canons, does not allow the pattern to become stagnant. A true hideoist is enterprising and spontaneous.
Of course, he does not abandon the sequence of actions. He’s just very, very attentive to the details.
This time at the exhibition were presented 40 paintings and objects in mixed media with the predominance use of scotch tape. For the content of the paintings we chose the character – SuperJew and his travels, in a shining blue suit he always tries and can not merge with the landscape. Plotes of photos are completed with scotch – which either helps, or prevents the pasting of the character to enviroment. Scotch is known as a tool for instant, but unreliable repairs.

The works were exhibited at the Moscow Museum of Modern Art, the Pompidou Center, the Museum of Moscow, Kunsthalle Dusseldorf, Arts Santa Monica Barcelona, Circulo de Bellas Artes Madrid, ММАМ, NCCA, etc. Participants of parallel programs of the Moscow Biennale of Contemporary Art and Manifesto, St. Petersburg.
Nominees of the Kandinsky Prize (2015, 2012), Innovation (2011), laureates of Terna Prize, Italy.

SuperJew. The rumors about hideoism


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